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The Golden Age
A WHILE ago I was in the train, and getting near
Sligo. The
last time I had been there something was troubling me, and I had longed for a
message from those beings or bodiless moods, or whatever they be, who inhabit
the world of spirits. The message came, for one night I saw with blinding
distinctness a black animal, half weasel, half dog, moving along the top of a
stone wall, and presently the black animal vanished, and from the other side
came a white weasel-like dog, his pink flesh shining through his white hair and
all in a blaze of light; and I remembered a pleasant belief about two faery dogs
who go about representing day and night, good and evil, and was comforted by the
excellent omen. But now I longed for a message of another kind, and chance, if
chance there is, brought it, for a man got into the carriage and began to play
on a fiddle made apparently of an old blacking-box, and though I am quite
unmusical the sounds filled me with the strangest emotions. I seemed to hear a
voice of lamentation out of the Golden Age. It told me that we are imperfect,
incomplete, and no more like a beautiful woven web, but like a bundle of cords
knotted together and flung into a comer. It said that the world was once all
perfect and kindly, and that still the kindly and perfect world existed, but
buried like a mass of roses under many spadefuls of earth. The faeries and the
more innocent of the spirits dwelt within it, and lamented over our fallen world
in the lamentation of the wind-tossed reeds, in the song of the birds, in the
moan of the waves, and in the sweet cry of the fiddle. It said that with us the
beautiful are not clever and the clever are not beautiful, and that the best of
our moments are marred by a little vulgarity, or by a pin-prick out of sad
recollection, and that the fiddle must ever lament about it all. It said that if
only they who live in the Golden Age could die we might be happy, for the sad
voices would be still; but alas! alas! they must sing and we must weep until the
Eternal gates swing open.
We were now getting into the big glass-roofed terminus, and
the fiddler put away his old blacking-box and held out his hat for a copper, and
then opened the door and was gone.
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